“风花雪月”娄申义个展

“虽死生荣辱；转战于前；曾未入于胸中；则何异四时风花雪月一过乎眼也？”

风花雪月是中国人自古以来对生活的一种阐述，我们所看到的，听到的，感知到的存在。自古在中国的绘画与诗歌中，很多诗人与艺术家表达了他们对于他们所存在的当下的美的理解和内心表述。然而，每一个人在解读艺术家的诗歌或者绘画作品时，都会有不同的理解，因为我们会把自己投射进艺术家所创造的世界里。奥英两国哲学家路德维希·维特根斯坦（Ludwig Wittgenstein）在他对语言与理解的研究中发现当每个人看到同一个词汇时，会在脑海中产生不同的画面。每个人对世界的理解是存在差异的。(Tractatus Logico-Philosophicus， 1889)

娄申义用马克笔勾线，大块的鲜明的颜色来填充画面，这样的纯粹的绘画方法来表达他所看到的美和对当下的中国文化的理解。常常有人说，看不懂的就是艺术。然而，娄申义的画给了我新的启发，你在艺术中所看到的是你自己。我们会被这个世界所影响，继而由内心所产生与世界的摩擦。

风花雪月，是我们与我们的精神世界的链接的桥梁，不论在中国还是在整个世界。美，往往就在眼前，就在最简单和最直接的背后，和时间，和空间没有关系，但和本真息息相关。 (Authenticity， Giorgio Agamben， 1942)

简而言之，你是怎么看待和欣赏这个的世界，你就会用你的世界的方法来表达。娄申义，用单纯的色彩和有力的勾线来诠释他所提纯的世界。在这个展览中，我希望能和你一起停下来，分享，欣赏娄申义的不可言的艺术世界。

Fēng Huā Xuě Yuè is from Yichuan hit the land set， from the famous philosopher and poet Yong Shao (AD 1012)， courtesy name Mr. An Le.

“Despite death and honor and disgrace; before moving to the war; never in the heart; how different are the crosses of life in the end?”

Fēng Huā Xuě Yuè is an explanation of Chinese life since ancient times， the existence of what we see， hear， and perceive. In Chinese paintings and poems since ancient times ， many poets and artists have expressed their understanding and inner expression of the beauty of the moments they lived in. However， individuals will have a different understanding when interpreting poems or artwork， because we will project ourselves into the world created by the artist. Austrian and British philosopher Ludwig Wittgenstein found in his study that there is a distance between how people interpret a word. Everyone's understanding of the world is differentiated (Tractatus Logico- Philosophicus， 1889).

Lou Shenyi uses a marker pen to construct a framework on the canvas，， then fills in this framework with chunks of bright colors in his disposal. This simplified painting method allows him to express his aesthetics and understanding of the status quo of the Chinese culture. It is often said that what you don't understand is art. However， Lou Shenyi's paintings have given me new inspiration. What you see in art is yourself. We will be affected by the status quo， and the friction we have with this reality is ingrained in our hearts.

Fēng Huā Xuě Yuè is the bridge between our persona and spiritual world， whether in China or elsewhere. Aesthetics appear often on the surface， in the simplest and most direct manner， where time and space does not matter. However， reality and authenticity are closely related (Authenticity， Giorgio Agamben， 1942).

In short， regardless of how you look at and appreciate this world， you will use your own methodology to express. Lou Shenyi uses pure colors and powerful lines to interpret the world he has refined. In this exhibition， I hope to stop with you to share and appreciate Lou Shenyi's unspeakable art world.