“凡灵图像”人物绘画三人展

自绘画独立为艺术门类以来， “肖像画”便以其独具特色的艺术表现内容在中、西方绘画发展史中占有着不可或缺的艺术地位，并由此诞生了诸多艺术大师。随着时代科技的变革与进步，照相机及手机拍摄的普及，丝毫没有影响肖像画的发展，其重要的艺术地位至今仍然难以撼动。然而肖像画的本质也跳脱了传统的纪实、写实功能，从而更注重艺术家的自我理解与自我表现的艺术创作效果。

肖像，已不局限于“像”，形与意的表达，艺术家主观的情感与想象力，使得作品有更多变幻，更多的可能性。此次展出的三位艺术家具备完全不同的艺术表现风格：王剑锋的作品有着学院及古典主义审美及韵味，对人物场景氛围营造至极，油画特质浓烈，是当下中国艺术家中鲜少的懂得油画感觉，且作品中就具有油画质感的艺术家之一。而胡顺香是一位极具艺术品位与艺术情商的女性艺术家代表，她的作品里有水彩之水韵，又不乏油画的笔触、画面中的轻松闲情与氛围让观者都耐得住细细咀嚼。莫芷的作品则是前卫且严谨，她的作品既有超现实主义的玄幻，又拥有女性艺术家的浪漫与敏感，孤独与彷徨，你能看到她作品中更多的精神世界的东西。

凡胎肉体在艺术家们的创作下，将一副副脸孔幻化出新的灵魂与高度，或写实或写意。世间一切皆为凡灵，平凡且不平庸。我们都是众生，我们皆为凡灵。

—— 刘辰晨

A portrait is no longer limited to the portrait itself. The expression of shape and artistic conception, the artist’s subjective emotions and imagination lead to more changes and more possibilities in the painting. The paintings of the three artists in this exhibition have completely different artistic expression styles: Wang Jianfeng’s works have academic and classical aesthetics and charm, focusing on creating characters, scenes and atmosphere, with strong speciality of oil painting. He is one of the few Chinese artists who understand the feeling of oil painting and have the texture of oil painting in their works. Hu Shunxiang is a representative of female artists with great artistic taste and artistic expression. Her works have the charm of watercolor painting, as well as the style of oil painting. The relaxing atmosphere in her works attracts the audience to view the details carefully. Mo Zhi’s works are avant-garde and rigorous. Her works have both surrealistic fantasy and the romance and sensitivity, loneliness and hesitation of female artists. You can see more of the spiritual world in her works.

Through the realistic or freehand creation of artists, the human beings have been upgraded with a new soul. Everything in the world has a spirit, which is ordinary but not mediocre. We are all beings, we are all sentient beings.

——Liu Chenchen