Born in Caracas, Venezuela in 1968
Studies made
1971-1990 Studies of modeled in ceramics in "Taller of Ceramics Beatriz Plaza". 1985 Studies of German in the SIT, Tubingen. Germany 1986-1991 Studies of Anthropology in the U.C.V. 1987 Factory of Raku with Candido Millán 1994 Factory of sculpture with Pinto Guillermo 1995-1997 Aprende lost artistic wax smelting in Strained Artistic Smelting 1999 Factory of engraving and Collage with Corina Briceno 2000 Reanuda studies of Anthropology in the UCV LABOR 1983-1995 modeled Professor of and ceramic
Experience
"Taller of Ceramics Beatriz Plaza" 1990 Assistant of Coordination in excavation of Indigenous Cemetery in Lagunillas.l Archaeological Museum of Mérida, Mérida 1991 Archaeological Investigation of Colonial Smelting with Mario Sanoja. Port ordaz. 1992 thesis Assistant of degree in Prehispanica Archaeology. Piritu Port. 1993-1995 Director Pewterama Smelting. Aluminum smelting 1994-1995 Director Factory of Beatriz Ceramics Seat 1995 Ejerce the sculpture as exclusive dedication 1998 Crea and directs " Artistic Smelting Plaza" Art;, Charallave, Venezuela 2000 Dicta Basic Factory of sculpture. Factory Eleonora Tugues. Caracas
Individual Exhibitions
1993 Central University of Venezuela, School of Anthropology 1995 "Tierra Metal and Fantasía", Gallery Mud and Fire, the Hatillo, Caracas. 1996 "Esculturas, pequeno formato", Solid Gallery, The Hatillo, Caracas 1997 "Para sonreír", Foundation CELARG, Caracas 1998 "Con all bronces", Terraquea Gallery, The Great Woods, Caracas 1999 "Esculturas". Factory Eleonora Tugues.Caracas 2000 "Esculturas II". Factory Eleonora Tugues.Caracas
Collective
With " Factory of Beatriz Ceramics Seat ": 1972 Gallery the Wall 1973 Gallery American School 1974 Gallery Ocher Room 1986 Gallery of CANTV 1988 MACSI With other Groups 1987 Central University of Venezuela, Faculty of Economy 1988 Museum of Contemporary Art Sofía Imber 1989 Collective of Young Artists Museum of Natural Sciences 1994 "Siete Women, Seven Países" Flowery The Museum of Hispanic and Latinoamerican Art. Miami, Florida. The USA 1994 Collective of the Batik Magazine of Spain. Flowery The Museum of Hispanic and Latinoamerican Art. Florida. The USA 1995 Mud by the Life, Gallery Mud and Fire, the Hatillo, Caracas 1996 Art To give, Li Group, Caracas. 1996 15 anuses of Mud and Fire, Gallery Mud and Fire, the Hatillo, Caracas 1997 Loyda, Your and I, Gallery Mud and Fire, the Hatillo, Caracas. 1998 Super Eclectic, Gallery Creators. The Samanes, Caracas, Venezuela. 1999 Collective one. News Coffee. Caracas. 2000 Aid of free art Saint Germain. Sao Paulo. Brazil 2001 Gallery Ena Becak, Sao Paulo. Brazil the 2001 magic of the art. Library USB 2001 Gallery Artifices, Miami, Florida.USA
Brief approach to the artistic intention:
The fundamental reason by that it dedicates me to the art is because through I interrelate with the others. He gets passionate to defy the balance to me allowing that my personages extend the barrier of the possible thing and showing to him the humanity that the illusion is the departure point towards the reality, incorporating it to the space from the ceiling or a wall or jumping of some wall. I am against to the mounted solemn art in a pedestal because the materialized message must be integrated to the daily life, the architecture. There the base of my work is to emphasize the aspect animal of the human beings and the use of the eroticism aspect until now little taken part culturally, the woman-female, the man-male, the naked bodies being united in the same way that a Neardenthal, 16 millenia of culture have not been able to change this because over the possesors, the faralados ones, petroleum and the rationality we continued being animals in adorned caverns.
注：本页面上发表的所有内容原自网络，均为原作者的观点，不代表艺连网的立场，也不代表艺连网的价值判断。
