Born Ha-Tien, Vietnam
ONE- & TWO-PERSON EXHIBITIONS
2005
-A Higher Plane, Asia Society, New York, NY
2004
-From Vietnam to Hollywood, 10 Chancery Lane Gallery, Hong Kong
-From Vietnam to Hollywood, P.P.O.W., New York, NY
-Home Coming, University Art Museum, Santa Babara, CA
-From Vietnam to Hollywood, Photology, Milan, Italy
2003
-From Vietnam to Hollywood, ShoshanaWayne Gallery, Santa Monica, CA
-Waking Dreams, Elizabeth Leach Gallery, Portland, OR
-Texture of Memory, Three River Art Festival, Pittsburg, PA
-Persistence of Memory, Shoshana Wayne Gallery, Santa Monica, CA
-Texture of Memory, PPOW, New York, NY
2000
-Persistence of Memory, Elizabeth Leach Gallery, Portland, OR
-True Voyage is Return, Montgomery Gallery, Pomona College, Claremont, CA
-Cambodia: Splendour and Darkness, Houston Center for Photography, Houston, X
-Cambodia: Splendour and Darkness, J. B. Speed Art Museum, Louisville, KY
1999
-Lotusland, Shoshana Wayne Gallery, Santa Monica, CA
1998
-Splendor & Darkness, P.P.O.W., New York, NY
-The Headless Buddha, Los Angeles Center for Photographic Studies (cat.; traveled to Elizabeth Leach Gallery, Portland, OR; Cambridge Multicultural Arts Center, Cambridge, MA; and Sesnon Gallery, Porter College, Santa Cruz, CA)
1992
-Tyler School of Art Gallery, Elkins Park, PA
1990
-Combinations: Dinh Le and Martina Lopez, The Friends of Photography,
-Ansel Adams Museum, San Francisco, CA
-Portraying a White God, Los Angeles Contemporary Exhibitions, Los Angeles, CA
1990
-Midtown Y Photography Gallery, New York, NY
GROUP EXHIBITIONS
2004
-Only Skin Deep, International Center for Photography, New York, NY
-Identities Versus Globalization?, National Gallery, Bangkok, Thailand
2003
-Delays and Revolutions, Venice Biennale, Italy
-Commodification of Buddhism, The Bronx Museum, NY
-The Body of Christ, The Isreal Museum of Art, Isreal
-Corpus Christie, Patrimoine Photographique, Paris, France
-Skin Deep, Numark Gallery, Washington D.C.
-Un/Familiar Territory, San Jose Museum of Art, CA
-Identities Versus Globalization?, Chaing Mai Art Museum, Chaing Mai, Thailand
2002
-Crisis Response, RISD Museum, Providence, RI
-Sugar & Cream, Triple Candie Gallery, NY
-Global Address, Fisher Gallery, Los Angeles, CA
-Collecting Contemporary Art, Ackland Art Museum, NC
-Lysis: Profound Loss, Healing, and Identity, Pamela Auchincloss Gallery, NY
-Eye In The Sky, Ackland Art Museum, NC
-Rhythms & Rituals That Feed My Spirit, The Bronx Museum, NY
2001
-Floating Chimeras, Edsvik Konst Och Kultur, Stockholm, Sweden
-Conceptual Color: In Alber's Afterimage, San Francisco State University, CA
-Conceptual: Sequence, Pairs, Hybrid, Orange Coast College, CA
-Indochina: The Art of War, Luckman Fine Arts Gallery, Los Angeles, CA
2000
-Shifting Perceptions: Contemporary LA Visions, Pacific Asia Museum, Pasadena, CA
-Beyond Boundaries: Contemporary Photography in California, Ansel Adams Museum, San Francisco, CA to travel to California State University, Los Angeles, CA and California State University, Long Beach, CA (catalogue)
-Of the Moment, San Francisco Museum of Modern Art, San Francisco, CA
-You Can't Go Home Again: The Art of Exile, Philadelphia Art Alliance, hiladelphia, PA
-The Changing Face of Portraiture, Chapman University, Orange, CA
-Touch: Contemporary Vietnamese Photography, Cypress College Fine Art & Photography Galleries, Cypress, CA
-ID/Y2K: Identity at the Millenium, Castle Gallery, New Rochelle, NY
1999
-Slow Release: The Rich Mix Exhibition, Bishopsgate, Goodyard, London, England
-Pattern, James Graham & Sons, New York, NY
-You Can't Go Home Again: The Art of Exile, Brattleboro Museum, Brattleboro, VT
-Emerging Images, Susquehana Art Museum, Harrisburg, PA
1998
-Bioethics: Thresholds of Corporal Completeness, Side Street Projects, Santa Monica, CA
-Fabrications: U.S. Photography, Schneider Museum of Art, Ashland OR (traveled to Vrais Reves Gallery, Lyons, France; 'Hotel du Musée, Arles; La Galerie 36, Paris; l'Espace Pereisc, Toulon, France; Musée de l'Elysée, Lausanne, Switzerland; Musée de la Photographie, harleroi, Belgium)
-Uncommon Traits III, Center for Exploratory and Perceptual Art, Buffalo, NY
1997
-Points of Entry, High Museum of Art, Nexus Contemporary Art Center, Atlanta; The Jewish Museum, New York; Miami Art Museum; Eastman International Museum of Photography, Rochester, NY; The Smithsonian Institution, Washington, D.C.
1996
-Chambers of Enchantment, Center for Exploratory and Perceptal Art, Buffalo, NY
-A Labor of Love, The New Museum, New York, NY
-The Present(H)Our: Artists Utilizing Issues of Identity, Oakland Museum, CA
-Pushing Image Paradigms: Conceptual Maneuvers in Recent Photography, Portland Institute for Contemporary Art, Portland, OR
1995
-Picturing Asian America: Communities, Culture, Difference, Silver Eye Center for Photography, Pittsburgh; Hunt Gallery, Webster University, St. Louis, MO
-Tracing Cultures, The Friends of Photography, Ansel Adams Center, San Francisco; Museum of Photographic Arts, San Diego, CA; Center for Creative Photography, Tuscon, AZ
-Welcome to Asia America, Cambridge Multicultural Art Center, MA
-Identity Crisis, Cambridge Multicultural Arts Center, MA
1994
-Beyond the Borders, Bronx Museum of the Arts, Bronx, NY
-Barbie and Beyond, Morphos Gallery, San Francisco
-Picturing Asia America: Communities, Culture, Difference,
-Houston Center for Photography, TX
-Asian-American in the Arts, Tweed Gallery, New York
-Four Photographers, SFMOMA Rental Gallery, San Francisco
-Retrospective: Awards in the Visual Arts, Betteravia Gallery, Santa Monica,CA;
Elverhoy Museum, Solvang, CA; Ro Snell Gallery, Santa Barbara, CA
-The DuPont Fellowship, The Art Institute of Boston, MA
Rituals: Social Identity/A View from Within, Center for Exploratory and Perceptual Art (CEPA), Buffalo, NY
1993
-Reflections for Peace, Mexican-Arte Museum, Austin, TX (traveled)
-Three: Works by '92-'93 Artists in Residence, Elaine Tin Nyo, Alexander Ku, and Dinh Le, Asian-American Arts Centre, New York
-Interior Dialogues, Montage '93, Rochester, NY
-We Count, Tweed Gallery, New York
1992
-Here and Now, Now and Then, Longwood Arts Gallery, Bronx, NY
-International Textile Exhibition, Kyoto Museum of Art, Kyoto, Japan
-Revealing the Self: Portraits by Twelve Contemporary Artists, Paine Webber Gallery, New York, NY (Organized by the Bronx Museum)
-MFA Thesis Exhibition, Visual Art Gallery, New York, NY
1991
-Articulated Disparities: Renegotiating Masculinity, (Anthony Aziz, Lyle Ashton Harris, Alan Labb, Dinh Le, and Anne Rowland), Gallery 1, San Jose State University, San Jose, CA
-Director's Choice: Joanne Hammer, Dinh Le, Kendall Shaw, and Athena Tacha, Bernice Steinbaum Gallery, New York
-Warp and Woof: Comfort and Dissent, Artists Space, New York, NY
1990
-County of Santa Barbara Art Commission, Individual Artist Award Winners 1989-90, Channing Peake Gallery, Santa Barbara, CA
-The Definitive American Contemporary Quilt, Bernice Steinbaum Gallery, New York (catalogue; traveled)
-Photo Metro #8, Vision Gallery, San Francisco
HONORS/AWARDS
1998
-Public Project Grant, The Gunk Foundation
1994
-National Endowment for the Arts, Fellowship in Photography
1994
-The Dupont Fellowship, The Art Institute of Boston
1993
-Travel Pilot Grant, Arts International & National Endowment for the Arts
1992
-Artist in Residence, Asian-American Arts Centre, New York
-Individual Fellowship, Art Matters Inc., New York
-Individual Photographer's Fellowship, Aaron Siskind Foundation
-Matching Grant, Professional Imaging, Eastman Kodak Company
-Polaroid 20" x 24" Grant, Polaroid Corporation
-Public Art Project Grant, Creative Time, New York
1990
-Individual Artist Award, County of Santa Barbara Art Commission
-Photo Metro Fine Art Award, San Francisco
1989
-Juror's Award, Santa Barbara Art Association
-University Art Affiliate Award, University of California, Santa Barbara
PUBLIC PROJECTS
1998
-Damaged Gene, Ho Chi Minh City, Vietnam; sponsored by the Gunk Foundation
1995
-Biography Memorial, The Bronx Council on the Arts, Woodlawn Cemetery, Bronx, NY
-Collaboration (with the Montefiore Family Health Center and local children), organized by the Bronx Museum, the Montefiore Family Health Center, Bronx, NY
1993
-Race, Gender, Sexuality, Organized by Painted Bride Gallery, Philadelphia, PA
1992
-Accountability, Creative Time, citywide poster/postcard project, New York, Los Angeles and Washington, D.C.
BIBLIOGRAPHY
2003
-Boreath Ly, "Desvasted Visions", Art Journal, Spring. 2003
-Pham Thi Thu Thuy, "2 Hoa Si VN Than Gia Su Kien My Thuat Lon Cua The Goi" The Thao & Van Hoa, May, 5. p. 38-39
-Row, D.K., "Dinh Q. Le," The Oregonian, March 14.
2001
-Aletti, Vince, "Voice Choice Column," The Village Voice, June 5.
-McGee, Celia, "Art Smart," Daily News (New York), June 2, p. 23.
-Pham Thi Thu Thuy, "Dinh Q. Le: Toi La Mot Tieng Noi...", The Thao & Van Hoa, Dec. 24. p. 41-46
-Moira Roth, "Obdurate History", Art Journal, Sum. 2001, p. 38-53
-Indochina: The Art of War, Luckman Fine Arts Gallery, Los Angeles, CA
-Pagel, David, "Indochina: The Art of War' Exhibition Misfires," Los Angeles Times, April 25, F4
2000
-Bonetti, David, "Trendy currents at SFMOMA", San Francisco Examiner, July 7,.C-14
-Pagel, David, "Photography That Tells It Like It Is," Los Angeles Times, July 2.
-Olllman, Leah, "Dinh Q. Lêat Shoshana Wayne," Art in America, February, p.136.
-Pagel, David, "Identity-based Work Looks Dated in 'Shifting Perceptions'",
The Los Angeles Times, May 22.
1999
-Ise, Claudine, "Pieces of History (review: Dinh Q. Lêat Shoshana Wayne Gallery)," Los Angeles Times, Friday, May 28, F25.
-Chanika Svetvilas, "The Art of War", Dialogue, Spr. & Sum., 1999, p. 23-28
-Johnson, Ken, "Pattern at James Graham & Sons," New York Times, July 17.
-Miller, Keith, "Dinh Q. Lê: Splendor and Darkness," Art Papers, Mar/Apr, p.52.
-Schwabsky, Barry, "Dinh Q. Lê at P.P.O.W.," Artforum, February, pp. 98-99.
1998
-Aletti, Vince, "Dinh Q. Lê" Village Voice, December 8.
-Chattopadhyay, Collette, "Dinh Q. Lê at the Los Angeles Center for Photographic Studies," Asian Art News, March/April.
-Ehmke, Ronald, "Neither This Nor That," Afterimage, July/August.
-Ise, Claudine, "'Headless Buddha' Weaves History, Myth," L.A. Times, March 6.
-Johnson, Ken, "Dinh Q. Lê(Art Guide)," The New York Times, December 11.
-Miles, Christopher, "Dinh Q. Lê at the Los Angeles Center for Photographic Studies," Artweek, April.
-Row, D.K., "Conflicting Cultures, Selves," The Oregonian, April 3.
1996
-Edmunds, Kristy, Pushing Image Paradigms: Conceptual Maneuvers in Recent Photography, Portland Institute of Contemporary Art, OR (catalogue).
-Tucker, Marcia, A Labor of Love, The New Museum of Contemporary Art, New York, (catalogue).
1995
-Grundberg, Andy, Rebecca Solnit and Ronald Takaki, Tracing Cultures, The Friends of Photography, San Francisco (catalogue).
1994
-McQuaid, Cate, "For Christ's Sake," Boston Phoenix March 3.
-Silver, Joanne, "East and West Woven into Art," Boston Herald, February 16.
1992
-Atkins, Robert, "Scene and Heard," The Village Voice, December 8.
-Glenn, Jeff, "Integrating Image and Structure," Fiber Arts, 18, no. 5, March.
-Kano, Kouichi, 3rd International Textile Competition, Kyoto, Kyoto Museum of Art, Kyoto, Japan.
-Lipson, Karen, "An Angry Voice from Vietnam," New York Newsday, December 8.
1991
-Aletti, Vince, "Playing God," The Village Voice, April 23.
-Avery, Virginia and Moira Roth, The Definitive Contemporary American Quilt, Bernice Steinbaum Gallery, New York (catalogue).
-Butler, Connie, "Warp and Woof: Comfort and Dissent" Artists Space,
New York, NY (catalogue).
-Heimerdinger, Debra, "Combinations," Newsletter of the Friends of Photography, March/April.
-Hoffman, Monika, "Independent Visions," The Independent, February 14.
-Kelley, Jeff, "Weavings of Time and Memory," Artweek, April 18.
-Medlin, Kayoko, "News from California," Asahi Camera, Tokyo, Japan, February.
-Wright, David, "The Don't Let Reality f-stop Them," Daily Californian, Apr. 26
1990
-Aletti, Vince, "Choice Column," The Village Voice, May 22.
-Slesin, Suzanne, "Quilts that Warm in New Ways," New York Times, December 6.
-Spencer, Russ, "Visions from the Independents," Santa Barbara Newspress, Nov
EDUCATION
1992
-MFA, Photography, School of Visual Arts, New York, NY
1989
-BA, Fine Arts, University of California, Santa Barbara, CA
COLLECTIONS
-Museum of Modern Art
-The Isreal Museum
-The San Francisco Museum of Modern Art
-The Los Angeles County Museum of Art
-J. B. Speed Art Museum
-The Bronx Museum
-Ackland Art Museum
-UC Santa Barbara Art Museum
-Portland Art Museum
-The Ford Foundation
-The Rothschild Foundation
-The Norton Family Foundation
-Goldman Sachs & Co.
-JGS Foundation
-JP Morgan Chase
-General Mills
& private collections
REPRESENT BY
-P.P.O.W., New York, NY
-ShoshanaWayne Gallery, Santa Monica, CA
-Elizabeth Leach Gallery, Portland, OR
-10 Chancery Lane Gallery, Hong Kong SAR
注：本页面上发表的所有内容原自网络，均为原作者的观点，不代表艺连网的立场，也不代表艺连网的价值判断。
