“弥生”当代陶艺展

艺术家们将自我感知世界的意识、和不断探索着人类的情绪、表达对世间万物和生命形态的思考，以感官交错的艺术表现呈现出当代陶艺独特的美。弥声——当代陶艺展共挑选出六位来自不同国家的艺术家陶艺作品，艺术家们将物质性，精神和存在主义叙事的考量联系起来，而陶瓷的易碎性，重量和强度等特点都成为了他们传达人类经验和艺术表达的特征。

【参展艺术家简介】

Marcello Mannuzza
马切洛·曼努扎「意大利」

My sculptures (hand-shaped of realized at the wheel) combine various ceramic techniques with sinuous reliefs and special engravings, covered with special enamels and blast-fired. The wheel also pushes me to experiment with a lively curiosity the 'bucchero' (ancient Etruscan technique), with the use of the black colour and wood firing techniques.

马切洛·曼努扎的雕塑（在拉坯机上实现手工塑形）结合了多种陶瓷技术，曲折的浮雕和特殊的雕刻技术，涵盖了特殊的珐琅瓷釉和全燃烧制。拉坯也推动他的好奇心，用黑色和柴烧制技术实践了“布切罗”实验（古伊特鲁里亚陶瓷技术）。

Dunque l’experinment bucchero è una tecnica antichissima legata agli Etruschi. In poche parole si cuoce in assenza di ossigeno l’argilla e tutto ciò che si produce. Diciamo che attraverso la cotura si ottiene un nero opaco, questo nero opaco, era una tecnica antichissima del sesto secolo avanti Cristo. Ancora oggi Io lo rifaccio usando la stessa tecnica perché la cottura avviene a legna e in questa cottura si mettono dentro le vasi e le cose. Tutto diventa nero per effetto chimico qui non aggiungo il nero come colore ma la terra essendo di colore chiaro diventa e attraverso la cottura nera.

“布切罗”实验是古伊特鲁里亚遗传下来的非常古老的陶艺技术。简而言之，陶土和制品都是在无氧的环境中熏烧的，烧制成一种不透明的黑色，这种不透明的黑色熏烧是公元前六世纪的一种古老技术。即使是今天，马切洛·曼努扎还是使用同样的方法来做，熏烧是在木头上进行的，在熏烧过程中，将陶罐和其它东西放进窑里面，由于化学作用，所有东西都会变成黑色。作品没有添加任何黑色颜料，但是却熏烧成了黑色。

Trey Hill
崔希尔「美国」

My new body of work springs from the lure of attraction, seduction, sensuality, beauty, and grace. I am fascinated not only by the sensuality and grace of the human form, but also the exploration of the prosaic. I pull forth emotions that are at once, beautiful and raucous, yet elemental and essential, all the while exploring our human hesitancies.

崔·希尔的新作品“主体”灵感源于吸引、诱惑、性感、美丽和优雅的诱惑，他对人体形态的性感和优雅深深迷恋，同时又着迷于对平凡的探索。当探索人类的情绪时，崔·希尔将同时产生的情绪美丽，喧闹，狂暴和平淡汇聚到一起。

By employing segments of the universality of human experience, my work alludes to the hauntingly delicate beauty of the exterior that masks the emotion and strength of structure that lies beneath the surface. Using various forms as building blocks to create larger works, I am able to able to deeply explore my curiosities and maintain a technically challenging studio environment. I aim to seduce the senses while exploring the fragile boundaries that weave human sexuality, strength, power, emotion, and vulnerability into one cohesive identity.

崔·希尔的作品揭示了外表之下令人难以忘怀的微妙之美，掩盖在表面之下的情感和结构力量，使用多种形式作为构建基块来创作更大的作品，能够深入探索他的好奇，并保持一个技术上具有挑战性的工作室环境。崔·希尔的目标是在探索将人类性别、力量、情感和脆弱性编织成一个凝聚力的脆弱边

Naidee Changmoh
那笛·昌姆「泰国」

Naidee Changmoh, Thailand's famous international ceramicist, has held exhibitions around the world for many times. He is famous for his Buddhist and Zen works. He is an artist who travels around the world and is deeply blessed by Buddhism. He combines mud in his hands with his faith in his heart. He created a series of Shami works in Fuping ceramic village, China. From the size of the palm to the length of the body, the height of a person varies, or he stands with a bag on his shoulder, or he holds a bowl, or he meditates. He is warm and lovely, full of childlike innocence. His works also reflect the appearance of his daily practice.

那笛·昌姆，是来自泰国著名的国际陶艺大师，曾多次在世界各地办展，以佛与禅系列作品享誉世界。他是一个游历世界又深受佛法加持的艺术家，将手中的陶土和心中的信仰合二为一。他在中国富平陶艺村创作了沙弥系列作品，小沙弥从手掌大小到身长一人多高不等，或肩背僧袋而立，或托钵或打坐禅定，暖萌可爱，充满了童真童趣。他的作品也反映了他于日常生活处处修行的模样。

Mirko Marcolin
米科·马科林「意大利」

Since childhood, he smells the moist scent of clay at his grandfather's home, who delights in animals playful modelling to satisfy his grandson's fantasies.

自孩提时代开始，米科·马科林在祖父家闻着陶土的潮湿气息长大，祖父喜欢做很多动物玩具的雕塑来满足他的憧憬。

In 2015 he started up a training course in the ceramic decoration financed by Giuseppe Roi Foundation. Precious knowledge is transmitted to him in this period, as practical and historical techniques of traditional Venetian ceramics process, mostly and specifically majolica painting. In these last years Mirko decided to develop a personal poetic of popular ceramic in Veneto region, specifically modelling small and large whistles such as exercise of free plastic expression.

2015年，他开办了由朱塞佩·罗伊基金会资助的陶瓷装饰培训课程。在这一时期，他获得了很多宝贵的知识，包括实用的和传统的陶艺以及传统的威尼斯陶瓷制作过程特别是马约利卡陶瓷绘画(意大利产锡釉陶瓷)。在过去的几年里，米科·马科林决定在威尼托地区开发一种带有个人诗意的流行陶瓷，特别是制作小的或大的口哨雕塑，比如自由塑性的表达练习。

Ryan Matthew Mitchell
瑞恩·马修·米歇尔 「美国」

At the beginning of visiting in China, Ryan's main works focused on the subjects of nature, urbanization, Asian historical philosophy and art research. Later, he was curious by the restatement of history and questioned how cultural relics were separated from the original context and reconstructed into narrative. After realizing the relationship between symbolic meaning and contemporary culture, he began to interpret these historical artifacts and put this traditional narrative material into the contemporary context.

瑞恩·马修·米歇尔来到中国之初，作品主要是与大自然、城市化、亚洲历史哲学与艺术研究的主题，而后他对历史重述充满好奇，并对文物是如何从原始语境中脱离而进行重构叙事充满疑问，意识到象征意义与当代文化中的关系后，他开始解读这些历史文物，并将传统叙事材料结合到当代语境中。

Ryan's works connect the artist's conception of materialism, spirit and existential narration. The fragility, weight and strength of ceramics have become the characteristics of artists to convey human experience.

瑞恩·马修·米歇尔的作品将艺术家对物质性，精神和存在主义叙事的考量联系起来，陶瓷的易碎性，重量和强度等特点都成为了艺术家传达人类经验的特征。